Mas Camp Preparation and Performance at Taste of the Caribbean, 2018
SubjectPortrait of
Keimani Delpeche
(Trinidadian)
SubjectPortrait of
Mellissa Craig
Date2018 August 5
Mediumborn digital photograpy
ClassificationsGraphics
Credit LineConnecticut Cultural Heritage Arts Program collections
CopyrightIn Copyright
Object number2015.196.978.1-.21
DescriptionPhotographs of the Mas Camp masqueraders preparing their costumes at the Phoenix Plaza. The masqueraders then gather at Mortenson Plaza as the Exotic One's Band, and perform their dance routine at the Taste of the Caribbean Festival. Other performers include stiltwalkers.
(.1) Image of Mas Camp costume designer Q Delpeche adjusting a costume for a masquerader.
(.2) Image of a group portrait of the Exotic One's Band.
(.3) Image of a masquerader in the frontliner costume.
(.4) Image of a group portrait of the Exotic One's Band.
(.5) Image of masqueraders gathering on the upper plaza to parade in to the festival.
(.6) Image of a group portrait of the Exotic One's Band.
(.7) Image of masqueraders gathering on the upper plaza to parade in to the festival.
(.8) Image of Moko Jumbie stiltwalker Mellissa Craig performing.
(.9) Image of a masquerader in the frontliner costume.
(.10) Image of shoes from a masquerader's costume.
(.11) Image of a masquerader in the frontliner costume.
(.12-.19) Images of the Exotic One's performing their dance routine.
(.20-.21) Images of Moko Jumbie Mellissa Craig performing with young stiltwalkers.
NotesSubject Note: From 2011-2020, the Connecticut Cultural Heritage Arts Program at the Connecticut Historical Society partnered with the Connecticut Caribbean International Carnival Association to offer an annual summer youth employment program that trains Hartford youth in Carnival traditions central to their ethnic background. At the six-week “Mas Camp,” participants learned about the history and role of Carnival and masquerade. They designed and created their own Carnival costumes under the guidance of experienced Mas artists. The teens along with over two dozen volunteers, formed a Carnival Band that participated in several summer events showcasing Mas costumes totally made in Hartford. The beauty of the costumes displayed by Hartford’s own masqueraders in the parade and festival, along with the excitement of their dance routines, bring a tremendous energy and pride to the city’s West Indian communities. Mas Camp has helped to ensure that the Carnival tradition continues by training a new generation in the art of Mas making. In 2017, Mas Camp was selected as one of 50 exemplary youth programs nationwide by the National Arts and Heritage Youth Program.(.1) Image of Mas Camp costume designer Q Delpeche adjusting a costume for a masquerader.
(.2) Image of a group portrait of the Exotic One's Band.
(.3) Image of a masquerader in the frontliner costume.
(.4) Image of a group portrait of the Exotic One's Band.
(.5) Image of masqueraders gathering on the upper plaza to parade in to the festival.
(.6) Image of a group portrait of the Exotic One's Band.
(.7) Image of masqueraders gathering on the upper plaza to parade in to the festival.
(.8) Image of Moko Jumbie stiltwalker Mellissa Craig performing.
(.9) Image of a masquerader in the frontliner costume.
(.10) Image of shoes from a masquerader's costume.
(.11) Image of a masquerader in the frontliner costume.
(.12-.19) Images of the Exotic One's performing their dance routine.
(.20-.21) Images of Moko Jumbie Mellissa Craig performing with young stiltwalkers.
Mas Camp was both a jobs program and an arts learning experience with social impact. The program mentored students in workplace readiness, social engagement, and cultural knowledge, offering alternative creative activities that fostered community involvement while providing fulfilling employment. Participants learned new skills including Caribbean cultural history, costume design, garment sewing and construction, creative movement, and teamwork. The teens experienced first-hand how to follow an artistic idea from background to completion and presentation, working both individually and collaboratively. Through the program, youth discovered that giving back to their community is an essential part of becoming a productive citizen. They experienced the joy of being part of a larger cultural group, and contributed their new skills to community activities.
During Mas Camp, the teens created their own costumes following themes and color schemes that they chose. The students and staff, along with volunteers from the community, formed a Carnival band they named Exotic One’s. Hartford costume maker Keimani “Q” Delpeche, who grew up in the Mas tradition in Trinidad and Boston, taught design and building of all the types of costumes. Choreographers including Clerona Cain and Coryse Villarouel developed dance routines with the students to train them in “displaying” their costumes in a parade. Some former students became peer educators helping to supervise Mas Camp activities in later years. The mentorship of several committed community educators and cultural leaders supported the teens and provided positive role models.
Mas represents an important and beloved art form in the West Indian communities that make up a vibrant component of Hartford’s population. The costumes and the traditions behind them serve as central expressions of cultural identity and heritage. The beauty of the costumes displayed by Hartford’s own masqueraders in the parade and festival, along with the excitement of their dance routines, bring a tremendous energy and pride to the city’s West Indian communities. During Carnival parades and festivals, groups of masqueraders form bands and dance to calypso or soca music. The bands have sections each led by a “frontliner” wearing a costume with a “backpack” frame that supports a headpiece. “Individual” character costumes are bigger still, with wings created from fabric stretched over a wire frame. The most elaborate costumes, the King and Queen, require bent steel frames on wheels so the person carrying the heavy costume can lead the band through the parade.
During the summer of 2018, nineteen students plus several adult and student volunteers participated. Costume maker Keimani “Q” Delpeche created the Mas outfits along with experienced assistants Clerona Cain, Kay-Kaniele Reid, and Gage Tisdol, and volunteer parents. Dance teacher Clerona Cain trained the students in “displaying” their costumes in a parade. They formed a Carnival “Band” called the Exotic One’s, with five sections of masqueraders in different color schemes portraying the theme of “Butterflies of Hope.” The Band performed with their costumes in the Taste of the Caribbean Festival at the Riverfront, the Wadsworth Atheneum Block Party, and the West Indian 56th Anniversary Independence Parade and Festival.
Subject Note: In 1962, Jamaica and Trinidad and Tobago claimed their Independence from Great Britain. Since that year, the West Indian Parade and Independence Celebration has been a highlight of Hartford’s summer activities. The week of activities includes many events taking place at the different island clubs around Hartford and features headlining musicians who perform at the West Indian Social Club. The celebration concludes with a parade and festival in Hartford featuring floats, steel band performances, and masqueraders displaying brilliant costumes.
The Taste of the Caribbean and Jerk Festival began as a single evening event and expanded into a day-long festival held since 2006 at the Riverfront Plaza at the beginning of Celebration Week. Billed as a “One day festival of Caribbean food, culture, music, games, traditions” the festival includes local and visiting performers, food vendors from a variety of Caribbean cultures, information booths, arts and crafts vendors, local and visiting dance groups, and since 2011, a procession of Mas dancers from CCHAP’s Mas Camp program in collaboration with CICCA, the Caribbean International Carnival Cultural Association.
Biographical Note: Mellissa Craig is a long-time dance educator and performer based in Hartford. She has taught and danced with Sankofa Kuumba Dance Collective, Cultural Dance Troupe of the West Indies, is Principal Dancer and Founding Member at Island Reflections Dance Theatre Company, Ensemble Member at Justice Dance Performance Project, Inc., Arts Instructor at Greater Hartford Academy of the Arts, and a performer with FriendzWorldMusic. Mellissa is an experienced stilt walker and participates as Moko Jumbie for many West Indian events including the Taste of the Caribbean Festival. She carried the Queen costume for the Mas Camp Exotic One’s Band in 2013.
Biographical Note: A Trinidad native and now a Hartford resident Keimani “Q” Delpeche was a member of the world renowned D’Midas and Associates Mas Band for 25 years. He started at age 11 hanging around the Mas camp like many Trinidadian kids do and took a liking to making carnival costumes. He learned from the teaching of master artist Stephen Derek and other workers around the camp. Q has mastered all aspects of the art of making costumes: designing to the theme, wire bending, braiding, gluing, covering, etc. At age 21 he became a traveling instructor, teaching in New York City, San Francisco, Miami, and most Caribbean Islands including St. Thomas, Antigua, St. Lucia, St. Vincent, Jamaica, and St. Croix. He did what he liked most: teaching and passing on the art of making costumes to kids and young adults alike. In 2002, he, along with other members of D’Midas and Associates from Boston, participated in the Hartford Carnival Parade. Q was the main designer and builder for the Queen costume made in the 2011 Mas Camp and since then designed and constructed the large and flamboyant multi-part wire-framed Queen, Junior Queen, Section Leader, and Frontline costumes, with input and assistance from the students who help to position and attach trim, beads, and feathers. Q also curated the Mas costume exhibits each year. His ultimate goal is to pass the art on to young Caribbean people and to educate other ethnic groups so they may aid in spreading the cultural heritage of Trinidad and Tobago.
Additional audio, video, and/or photographic materials exist in the archive relating to this community and these events.
Cataloging Note: This project was made possible in part by the Institute of Museum and Library Services MA-245929-OMS-20.
Status
Not on view
