West Indian Independence Day Parade and Festival, 2017
SubjectPortrait of
Clerona Cain
SubjectPortrait of
Keimani Delpeche
(Trinidadian)
Date2017 August 12
Mediumborn digital photography
ClassificationsGraphics
Credit LineConnecticut Cultural Heritage Arts Program collections
CopyrightIn Copyright
Object number2015.196.535.1-.30
DescriptionPhotographs of Mas Camp and other performers at the West Indian Independence Day Parade and Festival on August 12, 2017. Mas Camp Exotic One's Band marched in the Parade and performed their dance routine. The Mas Camp performers are also pictured in Bushnell Park after the Parade and onstage performing at the Festival in Bushnell Park after the Parade.
(.1) Exotic One's parading behind the band's truck.
(.2-.4) Exotic One's Band led by Queen, Clerona Cain in the Parade.
(.5) Exotic One's Junior Queen carried by Natasha DuBois in the Parade.
(.6) Exotic One's Queen, Clerona Cain in the Parade.
(.7) Masqueraders group performing in the Parade.
(.8) "Hartford Youth on the Rise" float with DJ in the Parade.
(.9-.10) Masqueraders group performing in the Parade.
(.11-.19) Exotic One's Band performing their routine in the Parade.
(.20-.21) Mas camp costume designer Q Delpeche with Queen Clerona Cain after the Parade.
(.22) Exotic One's Queen Clerona Cain with masquerader Kyla Jackson after the Parade.
(.23) Mas Camp costume designer Q Delpeche disassembling the Queen costume in Bushnell Park after the Parade.
(.24-.25) Mas Camp masqueraders in Bushnell Park after the Parade.
(.26) Mas Camp costume designer Q Delpeche in Bushnell Park after the Parade.
(.27-.30) Mas Camp Exotic One's Band performing their dance routine onstage at the Festival in Bushnell Park after the Parade.
NotesSubject Note: A significant wave of West Indian immigration to the United States began in the 1940s. Many settled in the Hartford area because the labor shortage of World War II meant there were available jobs in the tobacco fields along the Connecticut River Valley. Men worked in the fields while women often found work as housekeepers, teachers, nurses, and aides. Local organizations helped transition new immigrants to Connecticut culture and offered friendship, housing, economic opportunities, and community connections. Today, Connecticut’s West Indian community includes immigrants from all the islands in the Caribbean. They have established significant sports, cultural, and social clubs, dance and music groups, and produce an annual week-long festival that attracts audiences from all over the Northeast. With Greater Hartford now being home to the third largest West Indian community in the nation, beloved traditions like Carnival have been transplanted and sustained here.(.1) Exotic One's parading behind the band's truck.
(.2-.4) Exotic One's Band led by Queen, Clerona Cain in the Parade.
(.5) Exotic One's Junior Queen carried by Natasha DuBois in the Parade.
(.6) Exotic One's Queen, Clerona Cain in the Parade.
(.7) Masqueraders group performing in the Parade.
(.8) "Hartford Youth on the Rise" float with DJ in the Parade.
(.9-.10) Masqueraders group performing in the Parade.
(.11-.19) Exotic One's Band performing their routine in the Parade.
(.20-.21) Mas camp costume designer Q Delpeche with Queen Clerona Cain after the Parade.
(.22) Exotic One's Queen Clerona Cain with masquerader Kyla Jackson after the Parade.
(.23) Mas Camp costume designer Q Delpeche disassembling the Queen costume in Bushnell Park after the Parade.
(.24-.25) Mas Camp masqueraders in Bushnell Park after the Parade.
(.26) Mas Camp costume designer Q Delpeche in Bushnell Park after the Parade.
(.27-.30) Mas Camp Exotic One's Band performing their dance routine onstage at the Festival in Bushnell Park after the Parade.
In 1962, Jamaica and Trinidad and Tobago claimed their Independence from Great Britain. Since that year, the West Indian Parade and Independence Celebration has been a highlight of Hartford’s summer activities. The week of activities includes many events taking place at the different island clubs around Hartford and features headlining musicians who perform at the West Indian Social Club. The celebration concludes with a parade and festival in Hartford featuring floats, steel band performances, and masqueraders displaying brilliant costumes.
During Carnival parades, groups of masqueraders form bands and dance to calypso or soca music. The bands have sections each led by a “frontliner” wearing a costume with a “backpack” frame that supports a headpiece. “Individual” character costumes are bigger still, with wings created from fabric stretched over a wire frame. The most elaborate costumes, the King and Queen, require bent steel frames on wheels so the person carrying the heavy costume can lead the band through the parade.
Subject Note: From 2011-2020, the Connecticut Cultural Heritage Arts Program at the Connecticut Historical Society partnered with the Connecticut Caribbean International Carnival Association to offer an annual summer youth employment program that trains Hartford youth in Carnival traditions central to their ethnic background. At the six-week “Mas Camp,” participants learned about the history and role of Carnival and masquerade. They designed and created their own Carnival costumes under the guidance of experienced Mas artists. The teens along with over two dozen volunteers, formed a Carnival Band that participated in several summer events showcasing Mas costumes totally made in Hartford. The beauty of the costumes displayed by Hartford’s own masqueraders in the parade and festival, along with the excitement of their dance routines, bring a tremendous energy and pride to the city’s West Indian communities. Mas Camp has helped to ensure that the Carnival tradition continues by training a new generation in the art of Mas making. In 2017, Mas Camp was selected as one of 50 exemplary youth programs nationwide by the National Arts and Heritage Youth Program.
Mas Camp was both a jobs program and an arts learning experience with social impact. The program mentored students in workplace readiness, social engagement, and cultural knowledge, offering alternative creative activities that fostered community involvement while providing fulfilling employment. Participants learned new skills including Caribbean cultural history, costume design, garment sewing and construction, creative movement, and teamwork. The teens experienced first-hand how to follow an artistic idea from background to completion and presentation, working both individually and collaboratively. Through the program, youth discovered that giving back to their community is an essential part of becoming a productive citizen. They experienced the joy of being part of a larger cultural group, and contributed their new skills to community activities.
During Mas Camp, the teens created their own costumes following themes and color schemes that they chose. The students and staff, along with volunteers from the community, formed a Carnival band they named Exotic One’s. Hartford costume maker Keimani “Q” Delpeche, who grew up in the Mas tradition in Trinidad and Boston, taught design and building of all the types of costumes. Choreographers including Clerona Cain and Coryse Villarouel developed dance routines with the students to train them in “displaying” their costumes in a parade. Some former students became peer educators helping to supervise Mas Camp activities in later years. The mentorship of several committed community educators and cultural leaders supported the teens and provided positive role models.
During the summer of 2017, ten students plus many adult and student volunteers participated. Costume maker Keimani “Q” Delpeche created the Mas outfits along with experienced assistants Asher-Lee Plummer and Dahlia Ali, and volunteer parents. Dance teacher Clerona Cain trained the students in “displaying” their costumes in a parade. They formed a Carnival “Band” called the Exotic One’s, with four sections of masqueraders in different color schemes portraying the theme of “Road Warriors.” The Band performed with their costumes in the Taste of the Caribbean Festival at the Riverfront, the Wadsworth Atheneum Block Party, the West Indian 55th Anniversary Independence Parade and Festival, and The Gathering in Waterbury. No exhibit was produced this year.
Biographical Note: A Trinidad native and now a Hartford resident Keimani “Q” Delpeche was a member of the world renowned D’Midas and Associates Mas Band for 25 years. He started at age 11 hanging around the Mas camp like many Trinidadian kids do and took a liking to making carnival costumes. He learned from the teaching of master artist Stephen Derek and other workers around the camp. Q has mastered all aspects of the art of making costumes: designing to the theme, wire bending, braiding, gluing, covering, etc. At age 21 he became a traveling instructor, teaching in New York City, San Francisco, Miami, and most Caribbean Islands including St. Thomas, Antigua, St. Lucia, St. Vincent, Jamaica, and St. Croix. He did what he liked most: teaching and passing on the art of making costumes to kids and young adults alike. In 2002, he, along with other members of D’Midas and Associates from Boston, participated in the Hartford Carnival Parade. Q was the main designer and builder for the Queen costume made in the 2011 Mas Camp and since then designed and constructed the large and flamboyant multi-part wire-framed Queen, Junior Queen, Section Leader, and Frontline costumes, with input and assistance from the students who help to position and attach trim, beads, and feathers. Q also curated the Mas costume exhibits each year. His ultimate goal is to pass the art on to young Caribbean people and to educate other ethnic groups so they may aid in spreading the cultural heritage of Trinidad and Tobago.
Biographical Note: Clerona Cain is from St. Lucia, where she grew up playing Mas and learning all aspects from building costumes to developing choreography for display. She worked as a tourism professional in St. Lucia and danced with the Silver Shadow Performing Arts Company which toured around the Caribbean and also Venezuela. From 2015-2020, she taught the teens dance movements that she created with them, also instructing on display and dance while wearing the costumes, so they learned performance skills. Clerona’s work was vital for the good presentation of the costumes, and she mentored and supported the teens who were required to perform intensively as the main attraction at the Taste of Hartford event and during the long route of the West Indian Parade. She choreographed the dance routines that the teens performed onstage at the Festival held at Bushnell Park after the Parade, and also developed a routine for them to present at the Wadsworth Atheneum Block Party. Clerona led a public dance workshop at that event. She “carried” (wore) the project’s large Queen costume in the Parade in several years. She also provides in-school programs in Mas costume-making and dance with the arts education organization Hartford Performs.
Additional audio, video, and/or photographic materials exist in the archive relating to this community and these events.
Cataloging Note: This project was made possible in part by the Institute of Museum and Library Services MA-245929-OMS-20.
Status
Not on view
2011 August 13