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Connecticut Cultural Heritage Arts Program collection, 2015.196.519.1, Connecticut Historical S ...
CHS Staff Visit to Mas Camp Workshop, 2015
Connecticut Cultural Heritage Arts Program collection, 2015.196.519.1, Connecticut Historical Society, Copyright Undetermined

CHS Staff Visit to Mas Camp Workshop, 2015

Subject (Trinidadian)
Subject (Trinidadian)
Date2015 July 29
Mediumborn digital photography
ClassificationsGraphics
Credit LineConnecticut Cultural Heritage Arts Program collections
CopyrightIn Copyright
Object number2015.196.519.1-.15
DescriptionPhotographs from a Connecticut Historical Society (CHS) staff visit to a Mas Camp Workshop on July 29, 2015.

(.1-.2) Images of Mas Camp educator Lerry Cooper explaining mas traditions to CHS staff visiting the Mas Camp workshop.

(.3) Image of Mas Camp co-director Linford “Junior” Miller with then CHS Director Jody Blankenship.

(.4-.5) Images of the Mas Camp students working on their mas costumes.

(.6) Image of the Mas Camp Queen costume being constructed on its moveable frame.

(.7) Image of the Mas Camp students working on their mas costumes.

(.8) Image of the Mas Camp Queen costume being constructed on its moveable frame.

(.9-.10) Images of the Mas Camp students practicing their dance routine.

(.11) Image of a photographer from Defining Images Studio arranging the Mas Camp students for a group portrait.

(.12) Image of Mas Camp costume designer Keimani "Q" Delpeche working on the Queen costume backpack.

(.13) Image of Mas Camp educator and dance instructor/choreographer Clerona Cain working on her Queen costume.

(.14) Image of Mas Camp peer educator Ashely Plummer with her mas headdress.

(.15) Image of Mas Camp educator Lerry Cooper fitting a mas headband on Clerona Cain.
NotesSubject Note: Hartford’s West Indian Independence Celebration began in 1962 to commemorate Jamaica’s and Trinidad and Tobago’s independence from the United Kingdom. The week-long celebration usually concludes with a parade and festival downtown featuring floats, steel band performances, and groups of local masqueraders displaying brilliant costumes called Mas. Mas represents an important and beloved art form in the West Indian communities that make up a vibrant component of Hartford’s population. The costumes and the traditions behind them serve as central expressions of cultural identity and heritage. The beauty of the costumes displayed by Hartford’s own masqueraders in the parade and festival, along with the excitement of their dance routines, bring a tremendous energy and pride to the city’s West Indian communities.


Subject Note: From 2011-2020, the Connecticut Cultural Heritage Arts Program at the Connecticut Historical Society partnered with the Connecticut Caribbean International Carnival Association to offer an annual summer youth employment program that trains Hartford youth in Carnival traditions central to their ethnic background. At the six-week “Mas Camp,” participants learned about the history and role of Carnival and masquerade. They designed and created their own Carnival costumes under the guidance of experienced Mas artists. The teens along with over two dozen volunteers, formed a Carnival Band that participated in several summer events showcasing Mas costumes totally made in Hartford. Mas Camp has helped to ensure that the Carnival tradition continues by training a new generation in the art of Mas making. In 2017, Mas Camp was selected as one of 50 exemplary youth programs nationwide by the National Arts and Heritage Youth Program.

Mas Camp was both a jobs program and an arts learning experience with social impact. The program mentored students in workplace readiness, social engagement, and cultural knowledge, offering alternative creative activities that fostered community involvement while providing fulfilling employment. Participants learned new skills including Caribbean cultural history, costume design, garment sewing and construction, creative movement, and teamwork. The teens experienced first-hand how to follow an artistic idea from background to completion and presentation, working both individually and collaboratively. Through the program, youth discovered that giving back to their community is an essential part of becoming a productive citizen. They experienced the joy of being part of a larger cultural group, and contributed their new skills to community activities.

During Mas Camp, the teens created their own costumes following themes and color schemes that they chose. The students and staff, along with volunteers from the community, formed a Carnival band they named Exotic One’s. Hartford costume maker Keimani “Q” Delpeche, who grew up in the Mas tradition in Trinidad and Boston, taught design and building of all the types of costumes. Choreographers including Clerona Cain and Coryse Villarouel developed dance routines with the students to train them in “displaying” their costumes in a parade. Some former students became peer educators helping to supervise Mas Camp activities in later years. The mentorship of several committed community educators and cultural leaders supported the teens and provided positive role models. The beauty of the costumes displayed by Hartford’s own masqueraders in the West Indian Parade and other festivals, along with the excitement of their dance routines, bring a tremendous energy and pride to the city’s West Indian communities.

During the summer of 2015, twenty-two young people and eighty-four adult and student volunteers, children, and students from Our Piece of the Pie participated. Costume maker Keimani “Q” Delpeche created four large costumes – a spectacular Queen and three Junior Queen outfits along with experienced assistants Lerry Cooper and Tanya Bynoe, and many volunteer parents. Artistic director Harold Springer, dance teacher Clerona Cain, and dance assistant Asher-Lee Plummer trained the students in “displaying” their costumes in a parade. They formed a Carnival “Band” called the Exotic One’s, with nine sections of masqueraders in different color schemes portraying the theme of “Hollywood in Colors.” The Band performed with their costumes in the Taste of the Caribbean Festival at the Riverfront, the Wadsworth Atheneum Block Party, and the West Indian 53rd Anniversary Independence Parade and Festival.


Biographical Note: A Trinidad native and now a Hartford resident Keimani “Q” Delpeche was a member of the world renowned D’Midas and Associates Mas Band for 25 years. He started at age 11 hanging around the Mas camp like many Trinidadian kids do and took a liking to making carnival costumes. He learned from the teaching of master artist Stephen Derek and other workers around the camp. Q has mastered all aspects of the art of making costumes: designing to the theme, wire bending, braiding, gluing, covering, etc. At age 21 he became a traveling instructor, teaching in New York City, San Francisco, Miami, and most Caribbean Islands including St. Thomas, Antigua, St. Lucia, St. Vincent, Jamaica, and St. Croix. He did what he liked most: teaching and passing on the art of making costumes to kids and young adults alike. In 2002, he, along with other members of D’Midas and Associates from Boston, participated in the Hartford Carnival Parade. Q was the main designer and builder for the Queen costume made in the 2011 Mas Camp and since then designed and constructed the large and flamboyant multi-part wire-framed Queen, Junior Queen, Section Leader, and Frontline costumes, with input and assistance from the students who help to position and attach trim, beads, and feathers. Q also curated the Mas costume exhibits each year. His ultimate goal is to pass the art on to young Caribbean people and to educate other ethnic groups so they may aid in spreading the cultural heritage of Trinidad and Tobago.


Biographical Note: Connecticut International Cultural Carnival Association (CICCA) President Linford (Junior) Miller from Jamaica has been active in many Hartford-area community organizations, including the Sportsmen’s Athletic Club of Hartford (President, Business Manager, and Sports Captain over the years), the Jamaica Ex-Police Association of Connecticut (Founding Member, Secretary, and Scholarship Coordinator), and the Connecticut International Cultural Carnival Association Inc. since 2000 (Founder, Auditor, Board member, President). He was elected President of the West Indian Independence Celebration Committee of Hartford in the year 2000 and served in this capacity for three years. He is also a Board Member of the World Council of Carnivals and Auditor of the International Caribbean Carnival Association based in Montreal. Mr. Miller has organized many Carnival mas bands for Hartford, Toronto, New York, Jamaica, Boston, Orlando, Atlanta, and Trinidad parades, and organized costume production for Hartford, New York, and Boston. He has participated in Carnival seminars and workshops in Cambridge, Massachusetts in 1999, St. Lucia in 2000, New York in 2001, Miami in 2002, Montreal in 2006, and also hosted a two-day seminar/workshop in Hartford in June 2001 and one in Dominican Republic in 2015. He worked in the Security Department at the Learning Corridor, and later at Hartford Hospital. Junior Miller believes that cultural expression is an instrument of social harmony to be achieved through educational programs, public forums, and cultural events. As co-founder and co-director, he managed all day-to-day details of the Mas Camp from 2011 to 2019, including purchase of materials, supervision of artists and students, safety and security, preparation of work space, and travel arrangements for the dancers and costumes, working closely with CCHAP.


Biographical Note: Alwin “Lerry” Cooper, a part-time project educator in 2011, took on a wider role in 2012, and has been a key educator in 2013-2015 and 2020, teaching the teens how to work with the fabric, glue, decorative materials, etc. to bring their designs and the master artist’s designs into being. He is a record producer and event promoter, as well as an advisor on the West Indian Celebration Committee and President of The Mad Man Crew Mas Band that performs in the West Indian Parade every year. Mr. Cooper is a founding member of Connecticut International Cultural Carnival Association (CICCA), serving as its Director of Administration and Planning for several years. From Trinidad, he has produced costumes for carnivals in Hartford; Toronto; New York; Jamaica; Boston; Orlando; Washington, DC; Atlanta; and Trinidad.


Biographical Note: Clerona Cain is from St. Lucia, where she grew up playing Mas and learning all aspects from building costumes to developing choreography for display. She worked as a tourism professional in St. Lucia and danced with the Silver Shadow Performing Arts Company which toured around the Caribbean and also Venezuela. From 2015-2020, she taught the teens dance movements that she created with them, also instructing on display and dance while wearing the costumes, so they learned performance skills. Clerona’s work was vital for the good presentation of the costumes, and she mentored and supported the teens who were required to perform intensively as the main attraction at the Taste of Hartford event and during the long route of the West Indian Parade. She choreographed the dance routines that the teens performed onstage at the Festival held at Bushnell Park after the Parade, and also developed a routine for them to present at the Wadsworth Atheneum Block Party. Clerona led a public dance workshop at that event. She “carried” (wore) the project’s large Queen costume in the Parade in several years. She also provides in-school programs in Mas costume-making and dance with the arts education organization Hartford Performs.


Biographical Note: Ashely Plummer was an alumna of Mas Camp 2011 and 2012, where her maturity and dedication really stood out. She attended the Greater Hartford Academy of the Arts. In 2012, Ashely not only made her own costume and displayed it in parades as a section leader, but she served as a role model for the other teens because of her work ethic. In 2014 and 2015, she served as Assistant Dance Instructor, encouraging the girls to develop, practice, and perform dance routines wearing their costumes. In 2015 and 2016, she was a peer educator at Mas Camp, helping students design and create their costumes.


Additional audio, video, and/or photographic materials exist in the archive relating to this community and these events.


Cataloging Note: This project was made possible in part by the Institute of Museum and Library Services MA-245929-OMS-20.
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