Auspicious Signs: Tibetan Arts in New England - Lakedhen Shingsur
SubjectPortrait of
Lakedhen Shingsur
(Tibetan, born 1962)
PhotographerPhotographed by
Phillip Fortune
Date1996
MediumPhotography; color slide on plastic in cardboard mount
ClassificationsGraphics
Credit LineConnecticut Cultural Heritage Arts Program collections
CopyrightCopyright Held By Phillip Fortune
Object number2015.196.223.1-.8
Description2015.196.223.1-.8: Slides showing Lakedhen Shingsur playing flute. Photos taken by Phillip Fortune for the "Auspicious Signs: Tibetan Arts in New England" exhibit project and catalogue.
NotesBiographical Note: Born in Gangtok, Sikkim in 1962, Lakedhen is a natural musician who taught himself to play flute while at the Indo-Tibet Buddhist Cultural Institute school in West Bengal. He became a versatile musician also able to accompany on damyen. He formed an amateur dance and drama club which still exists to present Tibetan song and dance, learning songs from Tibetan elders living in Sikkim. For ten years he was a member of the Sikkim National Performing Arts Troupe, touring in India, Canada, the Middle East, and visiting the U.S. for the Festival of India in 1982. He has lived in Old Saybrook and Clinton, Connecticut since arriving in 1992. Lakedhen's primary instrument is the transverse flute. Usually made of bamboo with 6 finger holes, these are played throughout the Himalayan region. As a working musician Lakedhen's repertoire included modern Indian film scores as well as the folk music of Tibet, Sikkim, and Nepal. He learned many songs from the director and other members of the song and drama troupe, representing a number of ethnic groups from the region. Love songs, traditional welcomes for guests, Buddhist spiritual lessons, historical events, dance songs, and odes to the beauty of Sikkim are some common folk song subjects.
Lakedhen leads a folk music and dance group from the Tibetan community in southeastern Connecticut, teaching students and performing at many community events. He was featured in the CD "Sounds Like Home - Connecticut Traditional Musicians".
"One of our songs is Dhana-Hain Roupaun: Sikkim the valley of rice, its smiling faces, its peace, prosperity and contentment, its imposing grandeur are all a part of its heritage. Another song is called Gha-To-Ki-To: An age old tradition of welcome. Guests are served chang, a millet brew, or soicha, butter tea, as a welcome in all Sikkimese homes."
Subject Note: "Auspicious Signs: Tibetan Arts in New England" was an exhibit project developed by the Connecticut Cultural Heritage Arts Program (CCHAP) at the Institute for Community Research in Hartford in 1996. The exhibit opening and a festival of Tibetan arts and music served as the major public events of an eighteen-month research and programming project conducted by CCHAP in partnership with the Tibetans. The project celebrated the Tibetan community's preservation and practice of their traditions in America.
Since the Tibetan Resettlement Project brought twenty-one Tibetans to live in Connecticut, the state has become home to one of the fastest growing Tibetan communities in the United States. Several Connecticut Tibetans are traditional artists of great skill who are deeply committed to expressing and passing on Tibetan culture. Members of the Tibetan community are also dedicated to educating others about the difficult history and circumstances of the Chinese occupation of Tibet.
The collaborative project team consisted of three Tibetan project assistants, exhibit designer Sarah Buie, the Tibetan Cultural Center of Connecticut, artist Sonam Lama who was at the time Vice President of the Massachusetts Tibetan Association, and curator/folklorist Lynne Williamson, then director of CCHAP. The interdisciplinary nature of the team served to broaden the project's outreach to regional Tibetan communities as well as to incorporate a rich variety of expertise and perspectives.
The project team produced an exhibit displaying Tibetan religious art as well as everyday traditional arts, a day-long festival featuring artists, performers, demonstrations, and discussions, and an illustrated catalogue. Artists Jampa Tsondue, Ngawang Choedar, and Tsering Yangzom were featured in a video documenting their artistic process.
Funders included the Lila Wallace Readers Digest Community Folklife Program administered by the Fund for Folk Culture and underwritten by the Lila Wallace-Reader's Digest Fund; the National Endowment for the Arts Folk and Traditional Arts Program, the Connecticut Commission on the Arts, the Connecticut Humanities Council and the Institute for Community Research.
To mark the exhibit opening, the Tibetan community held a festival attended by over three hundred people, including Tibetans from all over the region. Four music and dance groups performed outside, while in the exhibit gallery three Tibetan artists demonstrated weaving, woodcarving, and thangka painting. The event also featured a bazaar, a common Tibetan cultural activity. Many Tibetans are keen traders, maintaining links to Dharamsala, India, and Nepal through import of goods to the U.S. and sale through small shops here. Six Tibetan vendors from all over the region set up tables during the festival with a great variety of Tibetan books and crafts. Lakedhen and five other community members had risen at dawn to prepare food, which they sold during the day. Several speakers described the background of the project, the story of the Connecticut community, the current political situation in Tibet, and the history and character of Tibetan culture. Cholsum dance group from New York City and musicians Lakedhen and Thupten performed and accompanied the dancers. Singer DaDon and her group played for over an hour.
Additional audio, video, and/or photographic materials exist in the archive relating to this artist.
Cataloging Note: This project was made possible in part by the Institute of Museum and Library Services MA-245929-OMS-20.
Status
Not on view
