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Ownership History of Needlework Picture
Frame MakerFrame made by
A. A. Munson's Son
(American)
Dateearly 20th century
MediumWood, paper and black ink, and glass
DimensionsPrimary Dimensions (height x width framed): 7 15/16 x 7 1/8in. (20.2 x 18.1cm)
ClassificationsTextiles
Credit LineGift of Louise Harvey Guion and Elizabeth Kingsley Harvey
Object number2003.8.2a,b
DescriptionFramed document transcribing [incorrectly] the inscription from the back of needlework 2003.8.1a,b. It is written in black ink in calligraphic letters on ivory paper. The transcription reads:
"The inscription on the reverse of this/ piece of embroidery reads:/ 1700/ For/ Mrs Martha Hubbard/ In/ Her Home New London/ This piece was wrought by/ Elizabeth Gore in England [before 1630],/ who after She arrived in New England/ marryed [sic] one Gager. She was Great/ Grandmother to Lydia Coit. She came/ from England 'in ye time of ye persecution'/ Mrs. Martha Hubbard's maiden name was/ Coit. She lived in Boston. Lydia Coit/ married William Hubbard./ It was given to Lydia Coit Kingsley; then/ to her son William S. Kingsley, of New/ Haven; and is now owned by his daughter/ Elizabeth Kingsley Farnam."
The document is covered in glass; the back is covered with brown paper. Two brass hooks are screwed into the top edge of the frame for hanging.
"The inscription on the reverse of this/ piece of embroidery reads:/ 1700/ For/ Mrs Martha Hubbard/ In/ Her Home New London/ This piece was wrought by/ Elizabeth Gore in England [before 1630],/ who after She arrived in New England/ marryed [sic] one Gager. She was Great/ Grandmother to Lydia Coit. She came/ from England 'in ye time of ye persecution'/ Mrs. Martha Hubbard's maiden name was/ Coit. She lived in Boston. Lydia Coit/ married William Hubbard./ It was given to Lydia Coit Kingsley; then/ to her son William S. Kingsley, of New/ Haven; and is now owned by his daughter/ Elizabeth Kingsley Farnam."
The document is covered in glass; the back is covered with brown paper. Two brass hooks are screwed into the top edge of the frame for hanging.
Status
Not on view
about 1835
Carlos Santiago Arroyo
2017 June 16
